Our Dedicated Team
Svetlana Gous
Born in Vilnius, Lithuania, Svetlana Gous is a fiber and land artist, weaver, curator, producer and community builder who lives in Palo Alto, CA. A computational linguist by training, Svetlana worked at Stanford and New York University, in a Silicon Valley start-up, and in corporate environments.
Svetlana advises Tukku Magi, a non-profit novel institution based in Latvia and USA. Its mission is to create vibrant new networks between Northern European, African and American cultures through juxtaposition of traditional and contemporary art. Since 2020, she has been involved in Jeppe Hein’s ongoing global art project “Breathe with Me” which promotes the UN Sustainable Development Goals, participatory art, the relationship between art practice and conscious breathing.
Svetlana is known in the art world for her work with creative collective AbidWe and under the alias Sana Gous. Her art bridges the gap between traditional craftsmanship and contemporary urban life and has been exhibited in public spaces around the Bay Area, in New York City and in Stellenbosch, South Africa.
While traveling, Svetlana meets with local textile artists to encourage creativity and cultural exchange, to bring international attention to their work and to forge unexpected collaborations. She also volunteers at Fabmo, a non-profit dedicated to rescuing designer materials for artistic reuse, furthering her commitment to sustainability and community-driven art practices.
Hiroshi Murase
Hiroshi Murase was born 4th generation into a textile family of shibori-stencil pattern-making artisans in the traditional shibori production center of Arimatsu / Narumi. He has been deeply rooted in the art of shibori his whole life, well well-versed in a wide range of shibori techniques. An internationally respected artisan and an enterprising designer, he has over 40 years of experience in the textile field. Currently, Murase is the chairman of the acclaimed Suzusan corporation. Having assumed the reins of the family business in 1971, Hiroshi Murase is widely credited for the “Suzusan innovation” due to his passion and experience.
Melissa Rinne
Melissa M. Rinne is a senior specialist at the Kyoto National Museum, chair of ICOM-ICDAD (International Council of Museums, International Committee for Museums and Collections of Decorative Arts and Design), and adjunct lecturer at Kyoto City University of Arts. She was previously a Japanese art curator at the Asian Art Museum of San Francisco (2005–2013) and a US member of the CULCON Arts Dialogue Committee (2010–2020). Educated at Brown University, Kyoto City University of Arts, and Kyoto University, she specializes in Japanese art history, focusing on textiles and decorative arts. Her books and articles in English and Japanese have been published by the Asian Art Museum, the Tang Center for East Asian Art at Princeton University, the Kyoto National Museum, the Tokyo National Museum, the Fowler Museum at UCLA, and Google Arts and Culture.
Barbara Shapiro
Involved in textiles from an early age, Barbara Shapiro began weaving in 1975. Barbara combines her rich knowledge of historical and ethnic textiles with broad technical experience in weaving, dyeing and basketry. Involved in the San Francisco Art to Wear movement in the ’70s, Barbara shifted her focus to textile art in the mid ‘80s, often incorporating resist dyeing techniques and indigo. Her volunteerism includes 25 years as textile teaching assistant at SF State University, terms as a Board Member of the Textile Society of America and Textile Arts Council of the Fine Arts Museums of San Francisco, and as a docent at the Museum of Craft and Folk Art. Barbara teaches workshops and her wall pieces and baskets are widly exhibited. She writes about textiles for many publications and translates French textile texts. Barbara’s commitment goes back many years. She profited immensely from Symposia and tours with Yoshiko through WSNF. She initiated an award for student artists at past Symposia and encouraged scholarships for the online workshops. In the spirit of giving back to WSNF for all that she has learned, Barbara was delighted to accept an invitation to join the Board of the newly formed WSH Foundation.
Yoshiko Wada
Yoshiko Iwamoto Wada is an artist, curator, and textile scholar, president of the World Shibori Network, founder of Slow Fiber Studios, producer of the Natural Dye Workshop film series, and co-chair of the 1st – 11th International Shibori Symposium. Currently a PhD candidate at the University of Leicester, UK writing on Boro textiles. She continues to lead a wide range of workshops, lectures, tours, and symposia internationally, emphasizing sustainability, tradition, and innovation in design.
Hiroko Watanabe
Watanabe Hiroko graduated from Tama Art University Studied abroad, France and Finland Professor emeritus of TAMA ART UNIVERSITY President of NPO INTERNATIONAL TEXTILE NETWORK JAPAN Former president of Textile Design Association of Japan Exhibitions: Participated in International Tapestry Biennial Lausanne Switzerland, International Triennial of Tapestry in Lodz Poland, other International exhibitions and many solo exhibitions etc. Jury: International Triennial of Tapestry in Lodz Poland, Young Textile Art Triennial Lodz Poland and other international exhibitions in France, Italy, China etc. International activities: Organized international conferences and many exhibitions to exchange culture through textile art Award Prizes
Ana Lisa Hedstrom
Ana Lisa is known for her signature textiles based on contemporary adaptations of shibori. Her textiles are included in the collections of major museums including the Cooper Hewitt, the Museum of Art and Design, and the De Young Museum. Her work has been exhibited and published inter- nationally. She has taught and lectured at numerous international Shibori conferences and schools. Her awards include two NEA grants and she is a fellow of the American Craft Council.
California, USA
Edith Cheung
Edith Cheung juggles her time between commercial and self-initiated projects as a textile catalyst. She is interested in all textile-related matters, ancient and modern, East and West. After returning to Hong Kong from New York and Europe in the late 1980s, she started working as a costume designer in the film industry. At the 27th Golden Horse Award, Cheung was awarded Best Costume Design and Best Art Direction for her work in Director Yim Ho’s Red Dust.
She has worked with private collections, museums, and academics to study textiles and costumes and share textile culture with the public. Between 2010 and 2015, she wrote a column in Ming Pao Weekly on textiles-related matters. Her current services include consultation work for the Hong Kong Film Archive, the Fashion Archive at Hong Kong Design Institute, China National Silk Museum in Hangzhou, the Centre for Heritage, Arts and Textile in Hong Kong.
KINOR JIANG
Board of Trustees
Click image for bios
SVETLANA GOUS
Palo Alto, CA
USA
JOYCE MARTIN
La Paz
Bolivia
ANDREW MEYER
New York, NY
USA
HIROSHI MURASE
Arimatsu
Japan
RIKI NISHIMURA
San Francisco, CA
USA
MELISSA RINNE
Kyoto
Japan
DAVID SALAMA
New York, NY
USA
NANCY SALUMBIDES MANOUOS
San Francisco, CA
USA
BARBARA SHAPIRO
San Francisco, CA
USA
YOSHIKO IWAMOTO WADA
Berkeley, CA
USA
HIROKO WATANABE
Tokyo, Japan
Trustee Emerita
ANA LISA HEDSTROM
La Honda, CA, USA
Advisory Council
EDITH CHEUNG
Hong Kong
Advisory Council